Ein hyper-realistisches Foto eines Straußes schwarzer Rosen, eingewickelt in weißes Papier mit 'BAD GIRL' gedruckt
A hyper-realistic vertical studio photograph of a full, lush bouquet of black roses with long green stems, loosely wrapped in crisp matte white paper and tied with a black ribbon. The bouquet is centered vertically in the frame, with flowers arranged naturally and peeking slightly out from the wrap, not overly tucked in. The stems extend several inches below. The paper is clean and structured with soft fold lines. Large, all-caps serif typography reading "BAD GIRL" is stamped directly onto the center of the paper wrapping. The typography appears subtly screen-printed or hand-stamped using charcoal gray matte ink, with lightly faded edges and slight paper texture showing through. The lettering blends into the wrap as if lightly absorbed into the paper surface not painted on, not overly crisp. Use a thin-stroked, high-contrast serif font in the style of classic fashion editorials refined, elegant, and romantic. Do not use italics or punctuation. The typography should be upright and evenly spaced, with no period or decorative formatting. The typography should appear directly printed on the paper. Shot against a bright, clean white gallery wall with minimal shadows. Studio lighting, fine art photography style. --ar 2:3 --raw --profile 2bsubec --v 7.0
A hyper-realistic vertical studio photograph of a full, lush bouquet of black roses with long green stems, loosely wrapped in crisp matte white paper and tied with a black ribbon. The bouquet is centered vertically in the frame, with flowers arranged naturally and peeking slightly out from the wrap, not overly tucked in. The stems extend several inches below. The paper is clean and structured with soft fold lines. Large, all-caps serif typography reading 'BAD GIRL' is stamped directly onto the center of the paper wrapping. The typography appears subtly screen-printed or hand-stamped using charcoal gray matte ink, with lightly faded edges and slight paper texture showing through. The lettering blends into the wrap as if lightly absorbed into the paper surface not painted on, not overly crisp. Use a thin-stroked, high-contrast serif font in the style of classic fashion editorials refined, elegant, and romantic. Do not use italics or punctuation. The typography should be upright and evenly spaced, with no period or decorative formatting. The typography should appear directly printed on the paper. Shot against a bright, clean white gallery wall with minimal shadows. Studio lighting, fine art photography style.
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