A 23-year-old Korean woman at a frost-covered bus stop showing 70% annoyance and 30% amused resignation
A hyper-realistic, 4K, full-body night-time portrait of a 23-year-old Korean woman with clear pale skin and long straight black hair tucked behind one ear. She is standing at a frost-covered bus stop, arms folded against the cold, with an expression of 70% quiet annoyance and 30% amused resignation, as if re-reading a text she regrets sending. Her outfit consists of a black blazer, navy sweatshirt, crisp white dress shirt, thin black tie, ultra-short black pleated skirt, brand-new white knee-length pelerine socks, and polished black shoes. The environment is a night-time city bus stop with icy pavement reflecting distant headlights, dense fog occupying the top third of the frame, and a steamed-up glass bus shelter with one finger-drawn smiley that melts faster than the surrounding condensation. The lighting is cool blue-white, high contrast, and cinematic. A hidden detail shows a reflection in her left shoe of a blurred red double-decker bus that may or may not be arriving. The camera uses a low eye-level angle, capturing the full body in frame, with Phase-One medium-format realism lens simulation, sharp focus on the subject, and soft bokeh on distant lights. The output style is hyper-realistic, cinematic, with cool colour grading. --ar 2:3
A hyper-realistic, 4K full-body nighttime portrait of a 23-year-old Korean woman with clear pale skin and long straight black hair tucked behind one ear. She is standing at a frost-covered bus stop, arms folded against the cold, with an expression of 70% quiet annoyance and 30% amused resignation, as if re-reading a text she regrets sending. Her outfit consists of a black blazer, navy sweatshirt, crisp white dress shirt, thin black tie, ultra-short black pleated skirt, brand-new white knee-length pelerine socks, and polished black shoes. The environment is a nighttime city bus stop with icy pavement reflecting distant headlights, dense fog occupying the top third of the frame, and a steamed-up glass bus shelter with one finger-drawn smiley that melts faster than the surrounding condensation. The lighting is cool blue-white, high contrast, and cinematic. A hidden detail shows a reflection in her left shoe of a blurred red double-decker bus that may or may not be arriving. The camera uses a low eye-level angle, capturing the full body in frame, with Phase-One medium-format realism lens simulation, sharp focus on the subject, and soft bokeh on distant lights. The output style is hyper-realistic, cinematic, with cool colour grading.
