The cover art of Rood magazine features a sphere, a worm, and a glowing red light, in the style of conceptual portraiture, made of rubber, futuristic robots, by Elina Karimova, in light black, technology-based art, with oversized objects.
Ancient Chinese style little figure, Q version, extremely simple, with many expressions and movements, white background, soft light, simple lines, symmetrical composition, low saturation, wide-angle lens, frontal light, still, cute, relaxed.
A mystical scene of a bulbous priest tapping into the Zynysphere, the magical energy beneath the earth's surface. Steam-like energy rises from the ground, forming a spiral. The rotund priest, wearing a robe and a headdress, stands on a rocky terrain. The background reveals a dark, cavernous structure.
Screengrab from a Rankin-Bass stop animation film of a 1970s horror B-movie
Tree in the style of neonpunk, tabletop photography, light crimson, orientalism, mood lighting, Kodak Ektar, photo taken with Provia
Aoi is enjoying a picnic under cherry blossoms.
Brutalist megastructures on a distant dystopian world
a beautiful female kempo master, Tenku-pekeji-ken
Alice Margatroid
Spaceman on Mars
She's doing an over-the-top dance, a girl wearing a red hoodie and black shorts, with short hair and bangs hanging down slightly. She is wearing sunglasses and high-top sneakers on her feet. The background color of the illustration should be light red. In an anime style. A full body shot of the girl in a pose that shows off her legs, in the style of Japanese anime cartoons.
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