19岁日本女孩穿着高领皮革风衣,手持生物工程玫瑰,展现网络哥特美学。
medium shot of a 19-year-old Japanese girl with luminescent pale skin, half-shaved head with remaining long black hair interwoven with pulsing fiber optic cables, her left eye a crimson cybernetic implant, wearing holographic makeup that shifts patterns, dressed in a high-collared leather trench coat with built-in screens displaying gothic patterns, paired with a shredded graphene mesh top and PVC skinny pants, thigh-high platform boots with LED soles, she stands in a glitched virtual cathedral merged with a neon-drenched alley, surrounded by holographic ads and swarms of nanodrones, her gaze directed at a bio-engineered rose in her cyber-augmented hands, its petals displaying extinct flower species, the scene lit by clashing neon purples and virtual candlelight, evoking a sense of techno-melancholy and dystopian beauty, emphasizing the cyber goth aesthetic with advanced technology and gothic romanticism --ar 4:3 --niji 6
一位19岁的日本女孩,肤色发光,半剃的头发上与脉动的光纤交织,左眼是猩红色的电子植入物,脸上带有变化图案的全息妆容,穿着高领皮革风衣,内置屏幕显示哥特图案,搭配撕裂的石墨烯网状上衣和PVC紧身裤,穿着及大腿高的带LED鞋底的平台靴。她站在一个故障的虚拟大教堂与五光十色的小巷交融的地方,四周环绕着全息广告和成群的纳米无人机,目光聚焦在她的赛博增强手中一朵生物工程玫瑰上,花瓣展示了已灭绝的花种。场景被冲突的霓虹紫和虚拟烛光照亮,唤起了一种科技忧郁和反乌托邦的美感,强调了赛博哥特美学中的先进科技与哥特浪漫主义。
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