Prompt:

medium shot of a 19-year-old Japanese girl with luminescent pale skin, half-shaved head with remaining long black hair interwoven with pulsing fiber optic cables, her left eye a crimson cybernetic implant, wearing holographic makeup that shifts patterns, dressed in a high-collared leather trench coat with built-in screens displaying gothic patterns, paired with a shredded graphene mesh top and PVC skinny pants, thigh-high platform boots with LED soles, she stands in a glitched virtual cathedral merged with a neon-drenched alley, surrounded by holographic ads and swarms of nanodrones, her gaze directed at a bio-engineered rose in her cyber-augmented hands, its petals displaying extinct flower species, the scene lit by clashing neon purples and virtual candlelight, evoking a sense of techno-melancholy and dystopian beauty, emphasizing the cyber goth aesthetic with advanced technology and gothic romanticism --ar 4:3 --niji 6

一位19歲的日本女孩，擁有光輝的白皙肌膚，半剃的頭髮上交織著脈動的光纖，左眼是一個猩紅的電子植入物，化著變化圖案的全息妝容，穿著高領皮革風衣，內建顯示哥特圖案的螢幕，搭配撕裂的石墨烯網狀上衣和PVC緊身褲，還有及大腿高的平台靴，鞋底有LED燈。她站在一個出現故障的虛擬大教堂，與一條浸泡在霓虹中的小巷融合，周圍環繞著全息廣告和成群的納米無人機，目光定格在她的賽博增強手中一朵生物工程的玫瑰上，花瓣展示著已滅絕的花卉品種。這個場景被碰撞的霓虹紫色和虛擬的燭光照亮，喚起了一種科技憂鬱和反烏托邦的美感，強調賽博哥特美學中的先進科技和哥特浪漫主義。