Create an epic historical movie poster set in 1945, with a black background that gradually opens into warm, hopeful light behind the characters. In the foreground, two men stand side by side with quiet determination: • On the right: a 50-year-old man wearing a brown suit and dark fedora hat, his expression weary yet dignified, carrying a sense of renewed resolve. • On the left: a 30-year-old doctor in a white medical coat and dark tie, sharp featured, tense yet hopeful, representing compassion and courage. Behind them, compose a layered cinematic collage of supporting characters--faces emerging softly from the darkness into light, suggesting unity and resilience rather than despair. Behind these figures, show a long line of refugees walking toward distant sunlit mountains, symbolizing the 1945 exodus but framed as a journey toward safety and renewal. Use soft fog, warm highlights, and gentle backlighting to create an uplifting emotional tone. Integrate the provided title artwork ‘EXODUS 1945 NAŠA KRI’ in the center of the composition, large, highly readable, elegant, blending harmoniously with the scene. The title should feel like a premium, metallic-textured, prestigious film logo, subtly catching the warm light. Mood: uplifting, solemn yet hopeful, emotional, painterly, historically grounded; a sense of perseverance and forward movement. Lighting: cinematic rim light with warmer accents, soft diffusion in the background, gentle color grading in cool blues balanced with rising golden tones.

一張沥青的特寫，帶有黃色線條，紋理背景，俯視圖，高分辨率，無模糊效果，深灰色和淺棕色調，極簡風格，平面設計，簡單構圖，高對比度，清晰細節。

超現實主義的幻想多層模型場景，一座超未來感的閃耀參數化建築坐落在山頂，周圍是平台和下降的圖案化閃亮玻璃與金屬圓頂棲息地，交錯著郁郁蔥蔥的土地、空中的通道，和一條閃閃發光的彩虹水流，垂直花園層層環繞，切割圖示，黑暗的星空背景。

一輛公交車裡坐滿了人，就像背包一樣，背在一個有著多張面孔的怪異生物的細長腿上，行駛在霧蒙蒙的道路上，超現實的照片。

一座用巨大的檸檬建造的房子，自然光照

一幅油畫，描繪了在綠色花盆中的怪獸植物，畫面側邊有藍色和粉色條紋，旁邊坐著一隻白色的貓，采用亨利·馬蒂斯的風格，色調柔和，帶有黑色輪廓。

小丑由希斯·賴賓和華金·菲尼克斯飾演，伴有綠色和粉色的底光；復古1980年代恐怖電影顆粒感膠卷畫面，導演為朴贊郁、史丹利·庫柏力克、吉爾莫·德爾·托羅、宮崎駿

比卡超, 賽博生物, 混合科技, 超真實細節, 機械整合, 生物元素, 人工增強, 生物工程, 機器融合

一張反叛海報，圖中有一個舉起的拳頭和「AI muses」字樣，風格簡約