Prompt:

A highly stylized, cinematic flat illustration inspired by Kevin Dart’s retro-modern animated style, depicting the cluttered office of a television producer in Montevideo, Uruguay, in 1990. The scene is framed as a wide shot inside a small, dimly lit office filled with retro charm. At the center, a large wooden desk is overflowing with scattered documents, handwritten notes, folders, coffee cups, old pens, and an open planner. A classic rotary phone and an ashtray with a smoking cigarette sit off to one side. Behind the desk, a tall wall of bookshelves is packed with VHS tapes, their colorful spines and faded labels stacked tightly in rows and leaning piles. Some are still in cardboard sleeves, others with handwritten titles on white labels. A small CRT television rests on one shelf, with a VHS player below it and a blinking digital clock. The room’s lighting is moody and nostalgic: golden afternoon sunlight filters through dusty venetian blinds, casting sharp horizontal shadows across the desk and shelves. The walls are decorated with faded posters of local TV programs, production schedules pinned with thumbtacks, and a corkboard filled with notes and Polaroids. The color palette is warm and desaturated: soft ochres, dusty browns, muted teals, and faded reds. Shadows are long and graphic, giving the space depth while maintaining a clean, flat aesthetic. The entire composition blends chaos and control, nostalgia and creativity capturing the energy of 1990s television culture in Uruguay, rendered with Kevin Dart’s elegant, animated, and graphic storytelling style. --ar 9:16 --raw --v 7.0

一幅高度風格化、電影感十足的平面插圖，靈感來自凱文·達特的復古現代動畫風格，描繪了1990年烏拉圭蒙得維的亞一位電視製作人的雜亂辦公室。場景呈現為一個小而昏暗的辦公室的寬視圖，充滿復古魅力。中央是一張大木桌，上面堆滿了文件、手寫便條、文件夾、咖啡杯、舊鋼筆和一本打開的日程表。一部經典的旋轉電話和一個煙霧瀰漫的煙灰缸位於一側。桌子後面，高高的書架上塞滿了錄影帶，五顏六色的封面和褪色的標籤緊密堆疊在行和傾斜的堆疊中。一些仍然在紙盒套中，其他則在白色標籤上有手寫的標題。一個小型CRT電視放在一個架子上，下面是一個錄影帶播放機和一個閃爍的數字時鐘。房間的燈光氛圍幽暗而懷舊：金色的午后陽光透過滿是灰塵的百葉窗，投下鋒利的水平陰影，洒在桌子和書架上。牆壁上裝飾著褪色的本地電視節目海報、用圖釘釘住的製作日程，以及一個貼滿便條和波拉羅相片的軟木板。色調溫暖且不飽和：柔和的赭色、灰塵褐色、柔和的青色和褪色的紅色。陰影長而具表現力，賦予空間深度的同時保持清晰平面的美學。整個作品融合了混亂與控制、懷舊與創意，捕捉了1990年代烏拉圭電視文化的活力，以凱文·達特優雅、富有動畫感和圖形敘述風格呈現。