A terrifying two-tone AMOLED wallpaper depicting Lord Narasimha at the sacred threshold moment, rendered as a minimalist matte silhouette × expressionist noir composition using only pure black and deep vermillion red. Narasimha is positioned dead center, straddling the invisible boundary between interior and exterior, his massive leonine form crouched low in explosive readiness, knees bent, torso leaning forward, claws extended and gripping the edge of the threshold stone. His mane erupts outward in jagged, flame-like shapes, breaking into the surrounding darkness. The face is partially visible only through silhouette--open jaws suggested by negative space, fangs implied rather than detailed--while the eyes burn as two concentrated vermillion points, piercing and inescapable. Vermillion energy outlines his entire form with violent intensity, especially around the claws, shoulders, and mane, as if divine wrath is cracking through containment. The architectural threshold is barely suggested by two vertical black planes and a single horizontal vermillion line beneath his feet, symbolizing the cosmic rule he is about to violate. No background, no sky, no ground--only void and judgment. The composition is vertical, suffocating, and perfectly balanced, optimized for AMOLED displays where black disappears and vermillion sears the eye, capturing Narasimha at the exact instant before annihilation, when time itself is afraid to move. --ar 9:16 --quality 4 --raw --s 50

一幅可怕的双色AMOLED壁紙，描繪了在神聖門檻時刻的那羅獅身人身，採用極簡的啞光輪廓 × 表現主義黑色作品，僅使用純黑與深朱紅色。那羅獅身人身處於正中央，橫跨內外部之間的無形邊界，雄偉的獅子形態低伏，準備爆發，雙膝彎曲，躯干向前傾，爪子伸出，緊 gripping 住門檻石的邊緣。他的鬃毛如同燃燒的火焰向外爆發，打破周圍的黑暗。面部僅通過輪廓部分可見——張開的下顎通過負空間暗示，尖牙被暗示而非詳細描述——而眼睛如同兩點炽熱的朱紅色，刺眼且無法逃避。朱紅色的能量以暴烈的強度勾勒出他的全身，尤其是在爪子、肩膀和鬃毛周圍，彷彿神聖的憤怒正在突破束縛。建築門檻僅通過兩面垂直黑色平面和他腳下的一條單一水平朱紅線微微暗示，象徵著他即將違反的宇宙法則。沒有背景，沒有天空，沒有地面——只有虛空與審判。構圖為豎向，令人窒息，完美平衡，為AMOLED顯示屏優化，其中黑色消失，朱紅色刺眼，捕捉那羅獅身人身在瞬間即將 annihilation 的時刻，時間本身都不敢流動。