Create an epic historical movie poster set in 1945, with a black background that gradually opens into warm, hopeful light behind the characters. In the foreground, two men stand side by side with quiet determination: • On the right: a 50-year-old man wearing a brown suit and dark fedora hat, his expression weary yet dignified, carrying a sense of renewed resolve. • On the left: a 30-year-old doctor in a white medical coat and dark tie, sharp featured, tense yet hopeful, representing compassion and courage. Behind them, compose a layered cinematic collage of supporting characters--faces emerging softly from the darkness into light, suggesting unity and resilience rather than despair. Behind these figures, show a long line of refugees walking toward distant sunlit mountains, symbolizing the 1945 exodus but framed as a journey toward safety and renewal. Use soft fog, warm highlights, and gentle backlighting to create an uplifting emotional tone. Integrate the provided title artwork ‘EXODUS 1945 NAŠA KRI’ in the center of the composition, large, highly readable, elegant, blending harmoniously with the scene. The title should feel like a premium, metallic-textured, prestigious film logo, subtly catching the warm light. Mood: uplifting, solemn yet hopeful, emotional, painterly, historically grounded; a sense of perseverance and forward movement. Lighting: cinematic rim light with warmer accents, soft diffusion in the background, gentle color grading in cool blues balanced with rising golden tones.

超現實主義的幻想多層模型場景，一座超未來感的閃耀參數化建築坐落在山頂，周圍是平台和下降的圖案化閃亮玻璃與金屬圓頂棲息地，交錯著郁郁蔥蔥的土地、空中的通道，和一條閃閃發光的彩虹水流，垂直花園層層環繞，切割圖示，黑暗的星空背景。

一隻可愛的白色叫鴨正在路上走，穿著紅色領結，嘴裡含著一朵帶莖的黃色玫瑰。藍天作為背景，從低角度捕捉，正面視角，以張克俊的風格呈現。基於「增強現實」技術。

奧特曼與金剛的對決。

一幅簡單、色彩繽紛、手繪風格的兒童書插圖頁，展示了「蒸魚」的字樣和配料。配料包括紅椒、切好的青蔥、薑、醬油。畫面背景為白色，清晰度高，盤中裝滿蒸魚，整體風格似乎與宮崎駿的兒童畫相似。

一個穿著牛仔褲和帶扣長袖連帽衫的男人，材料是深灰色的棉布，身形修身。

卡倫·斯塔特費爾德在機甲中作戰

打開的除臭劑棒，裂開的，純白色背景，RTX著色器，現實主義工作室燈光，自然光，夢幻般的，超現實主義，超細節，8K

小丑由希斯·賴賓和華金·菲尼克斯飾演，伴有綠色和粉色的底光；復古1980年代恐怖電影顆粒感膠卷畫面，導演為朴贊郁、史丹利·庫柏力克、吉爾莫·德爾·托羅、宮崎駿

安妮·利寶思的黑暗奇幻攝影作品