A person in a long soaked trench coat stands within a derelict lighthouse interior filled with rusted machinery, nautical maps, and stacks of film reels. Flickering CRT screens and oil lamps light the scene, rain leaks through a cracked window revealing a stormy sea beyond. Subtle mist catches the light, revealing fine water droplets suspended midair. Captured on a Canon EOS R5, 35mm lens at f/4, ISO 400, 1/60s, white balance 3600K, handheld with stabilized shot, primary subject sharp, background softly diffused by fog. Lighting: mixed tungsten and cyan from monitor glow, soft bounce from wet surfaces. Kodak Vision3 500T film emulation, heavy grain in shadows, halation on lamp edges, accurate reflective highlights on metal and glass. Muted palette of teal, amber, and gray-blue with practical light realism.

Ultraman vs. King Kong.

A close-up shot of a laser engraving machine in action, creating intricate designs on metal plates with precision and speed. The focus is sharp on the tool's head, surrounded by a blur that suggests movement. In front of it lies a flat sheet of metal, reflecting light from its edges. A blue beam blurs out against a white background, adding contrast to emphasize details. This scene captures the essence of modern technology used for industrial craftsmanship.

A beautiful star in the space

Nausica

Urban atmosphere with palm tree, minimalist photo, blue hour

iPhone photo of roast duck with garlic sauce. At a Chinese restaurant.

A brunette female character holding a sniper rifle, wearing tactical gear, very detailed full body action shot, fine details, Michael Bay movie poster style. High contrast, dynamic composition, with action pose, war-torn battlefield in the background, cinematic, hyper realistic, sharp focus, sharp details, high clarity.

Production still from Star Wars: Shrek, featuring bald Shrek as Yoda's father, cinematography, directed by George Lucas, 1978 film style