Book cover illustration for a story titled 'Kızıl Tilki', with the title in the vivid red color of a red fox. The illustration features a red fox face in the collaborative style of Jon Klassen and Oliver Jeffers, with organic forms and a desaturated, light and airy pastel color palette. The background is white, and the scene depicts elements of a snowy village and forest to reflect the story's setting. The author's name, 'Selçuk Fartlı' is written on the cover. The lighting is soft and natural, creating a gentle and inviting atmosphere.

A serene scene where a monk in a vivid red robe stands with their back to the viewer, gazing up at a colossal, ethereal Buddha face that seems to form out of mist and smoke. The Buddha's face occupies the upper portion of the image, with a soft and calm expression. The background is a light, textured surface, creating a spiritual and contemplative atmosphere.

A surreal portrait of a minimalistic man with two white glowing eyes and long thin eyelashes, wearing a black turtleneck and posing in front of a red background.

[SUBJECT] photography, untitled, in the style of dark black and [COLOR], luminous shadows, flat figuration, high gloss, self-portrait, high detail

The moon is in the sky, and there's only one branch of an ancient tree with no leaves on it. The background color should be blue gradient. High definition photography

Vintage illustration, nostalgic, happy Asian daddy and son making small creative structure at his house garden, hammer, scissors, toys, balls, chairs, trees, flowers

An [SUBJECT] illustration with bold lines, dynamic colors, Chinese iconography, limited shading, and a cartoonish style --ar 2:3 --v 6.0

A Kunoichi ninja with odango hair, striking a dynamic fighting pose

In the style of Eiko Ojala, warrior character, full body, flat color illustration

Aerial photography captures the vastness of silver grass in southern China, which appears endless. An orange Hanfu girl walks through the dense, white pampas grass, creating an immersive experience for the viewer. The depth of field effect gives the impression that one has been transported into the scene.