A minimalist linocut-style illustration in black and white with a single bright yellow accent. The composition features a small yellow taxi cab at the bottom against a white background, with stylized black architectural landmarks of New York stacked above it. Include recognizable structures like the Empire State Building, Statue of Liberty, Brooklyn Bridge, Chrysler Building, and One World Trade Center drawn in a simplified, hand-carved woodblock print aesthetic. The word 'NEW YORK' should be vertically integrated into the right side of the composition among the buildings.

Make the image look as real as possible. An iPhone photo of a young adult woman aged 20-30 just after having a fresh Dimensional Red on a Layered Lob hairstyle. The image should focus on the front side view of the hairstyle. Posted on a popular hairstylist's Instagram page to showcase this hairstyle.

A poster for the Japanese horror film 'Miao' from the eighties, featuring two female hands with long nails and bandages in white hospital gowns on their knees performing an exorcism by connecting wires to each other's heads. One of them is illuminated by a red light. The background has a retro-style black ink design. The movie title is prominently displayed in large letters, creating a scary and dark atmosphere.

Yuki is playing with snow in the mountains.

Summer dress with rickrack trim

In the center of an outdoor lawn, there is a huge white cloud installation with flowers and plants inside it. The green grass surface has various flower arrangements on top, creating high-definition photography style images. There was also one person taking photos next to them, surrounded by gray stairs. This scene gives people both warmth from nature and a futuristic feeling.

A femme fatale with red lips holding a gun under the rain in Frank Miller's Sin City style, black and white comic-noir aesthetics, film noir atmosphere, high contrast, duotone, shiny eyes, captivating gaze, foreshortening techniques, sharp angles.

minimal, print

A fantasy town with a castle on the hilltop, in the style of ray tracing, soft and dreamy depictions, en plein air, light-filled scenes, pigeoncore, detailed character design, light cyan and green.

A breathtaking young woman, her silhouette striking against the backdrop of a neon-drenched skyline, gazes out with eyes that shimmer with artificial intelligence. She clutches a tattered teddy bear, its stuffing replaced with circuits and LEDs, a poignant reminder of lost innocence. Before her stands a portal of fractured virtual reality shards, each reflecting a different facet of her identity, as she teeters on the edge of two worlds, both real and digital.