Fujifilm Provia 100F 35mm analog film portrait of an old Indian woman on a sunny day in Mumbai city, her face partly illuminated by the golden hour sunrise and her veil is in bright yellow gold and orange colors, with sharp focus on her eyes, cinematic, golden hour light leaks, expired 35mm film damage, analog imperfections, film grain dirt and scratches.

The work features a vertical structure with visible film grain, reminiscent of Araki's works and metaphysical surreal landscapes, with a post-apocalyptic seaside as a backdrop. The image is a creative and deconstructed depiction, showing the mystical and absolute scenes and auras of the Divine Comedy, reflecting the repeating rhythms of the gods and giving the illusion of humans being liberated from increasing entropy. A beautiful Japanese woman with black bob hair is present with a mysterious life form. The mysterious life form has a deconstructed beauty that integrates the characteristics of all animals that inhabit the earth. The environmental effects are emphasized, enhancing its mysterious solemnity and majesty. The overall composition is a mixture of mystical and avant-garde elements, plastic elements, primitive animism, apocalyptic but not pessimistic beautiful images, and illusions. In the background, a nostalgic yet futuristic landscape unfolds, evoking a scene reminiscent of mystical power and beauty, supernatural and absolute beauty.

Horror, creepy twins possessed by a demon smiling, hallway, cloudy day, retro, film silhouette lighting, photography, polaroid film, 70's cinema depressing, cinematic, Andrei Tarkovski style, film grain, hazing, nightmare, creepy, realistic,