Lace, traditional Chinese landscape painting, light white background, light gray fine line texture, ancient paper texture, representing Chinese art, Song Dynasty, rice paper, Goofy, Chinese monk, brush with dust, lone cloud, sitting alone, Jinggangshan, never tired of seeing

Identity photo of Bulma

Flat illustration, line art, minimalist, male barista brewing coffee, black lines, brown highlights

Tsubasa is planting seeds in a garden.

A flowing curtain gently swaying in the wind, with a sunny morning in the background, showcasing the lightness and freshness of the curtain.

Aki Shizuha

Jinx, heavy lines, high contrast, duotone

Flat vector logo of deer head, minimal graphic, by Sagi Haviv – no realistic photo detail shading

A Pixar-style illustration of two happy, dynamic adult friends smiling and pointing at the camera with eye contact in a sunny schoolyard during an annual kermesse. The man is a black man, the woman is white. The background shows a slightly blurred schoolyard filled with joyful families and children. The schoolyard is surrounded by tall trees and fences, with a 1990s northern France school building in the background. Bright, vibrant colors with soft lighting and a cheerful atmosphere. Created Using: digital painting, soft shading, high contrast, cartoon-like detail, Pixar influence, HD quality, natural look, 3D effect, playful mood.

Focused exterior view on a living room of a limestone rock regular blocks shaped villa with sliding windows and timber screens in Provence along the cliff facing the sea, with waterfalls from the roof to the pool, designed by Zaha Hadid, with rocky textures and form, made of regular giant rock blocks stacked each other with infinity edge pool in front of it, blends in with the surrounding nature. Regular rock blocks. Giant rock blocks shaping the space. The image to capture the infinity edge profile of the pool and the flow of water going down creating a waterfall effect. Adriatic Sea. The design is sustainable and semi-prefab. The photo is shot on a Canon 5D Mark IV.