A magazine ad for 'Bien Engel', the text is written on top of an editorial photo of a female face wrapped in plastic wrap. 'Oppressive pressures drive me crazy' and other small words appear at different positions on that page. 'The official Carne Hideaux website', 'F. Harris Photography', 'Nicoletta Ceccoli Art'. The style emulates that of an advertising campaign with the aesthetics of fashion magazines, featuring an extreme close-up of her mouth.
A vast expanse of grassy land, people strolling, a cliff under a sky filled with enormous clouds, a mix of white colors, a sense of heaviness and oppression, a tranquil and mysterious atmosphere.
A girl and her cat are lying on the sofa, listening to music.
A flying car with balloons, against a sky-blue background on a sunny day, in yellow and pastel colors, in the style of Wes Anderson.
80s anime-inspired still life, a girl with long black hair and a white dress looking at the stars in her hand, featuring a dark, muted aesthetic, simple line art with color, an ink sketch style, flat shading, and a kawaii pop culture horror aesthetic, with high sharpness, high focus, high clarity, and high contrast.
Aoi Asahina (Danganronpa)
Fashion magazine cover featuring 'musesai' in a sleek, modern masthead, displaying a dynamic action shot of a model in a shimmering, reflective outfit that blends cyber fashion with organic elements. The model is surrounded by swirling fractal designs and quantum waves, with a focus on motion and energy. The aesthetic is cutting edge, blending technology with high fashion.
Raven
clue movie poster no faces no people
Food photography, a vibrant Ti' Punch cocktail, accented with freshly sliced lime and local sugarcane syrup, presented on a sleek, modern bar top. The backdrop of a sunset beach scene highlights the drink's island essence, captured with a shallow depth of field to emphasize the crisp detail of the lime's zest and the delicate sugar crystals.
an eye caught in a water drop, in the style of CryEngine, pegi nicol macleod, realistic genre scenes, hauntingly beautiful narratives, ultra realistic, thomas saliot, close up
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