A surreal, high-fashion Vogue-style editorial illustration of a Korean woman in a flowing, avant-garde hanbok, riding a majestic tiger in front of Gyeongbokgung Palace. The composition blends the elegance of traditional Korean motifs with the experimental flair of Jacquemus runway art direction. The hanbok is adorned with intricate mother-of-pearl (najeon) patterns that shimmer with iridescent gradients, contrasting with bold, oversized modern silhouettes. The tiger is depicted as both fierce and regal, with abstract, graphic stylization reminiscent of vintage Japanese magazine covers. The background emphasizes the grandeur of Gyeongbokgung’s tiled rooftops and stone architecture, portrayed in minimal yet powerful poster abstraction. Strong contrasts of soft pastel tones with vivid reds, blacks, and golds create a dramatic, editorial mood. The overall atmosphere feels like a surreal luxury ad campaign--experimental, iconic, and culturally rich, with an impactful visual narrative that bridges tradition and modernity.
