A man with deer antlers on his head, dressed in brown, in the style of portrait photography, hyper-realistic portraits, exaggerated facial features, surreal animal sculptures, exaggerated expressions, surreal portraits, white background, natural light, full-body shot, soft focus.

Rena Ryuuguu (Higurashi When They Cry)

Sepia-toned photograph, solitary figure in a field, water reflection of a single figure, misty mountains in the background, rippling water surface, weathered fence posts, swaying reeds, duality illusion, mist swirls around the figure, reflection ripples and distorts, light shifts across the landscape, nostalgic haze atmosphere, time echoes, reality mirrors.

An evocative fashion scene where the ancient rites of unknown civilizations meet the edge of contemporary fashion. The model wears a garment that is both armor and gown, with patterns echoing the glyphs of a forgotten language. The colors are deep and resonant, with flashes of neon that pulse like the heartbeat of an unseen world. Her posture is regal, embodying both warrior and priestess, as the setting merges the organic forms of a jungle temple with the stark lines of modernist design. The result is a visual enigma, at once timeless and trailblazing.

In the cartoon vector illustration on a white background, an elegant girl wears a French print Gucci shirt, in the style of Herge and Masaji Kawamori. A minimalist style. A simple line drawing with flat colors. The woman wore green eyeshadow, a black updo, vintage jewelry and a pale face. White paper-cut style. Clean lines, simple design, flat color, flat shadow, flat texture, panoramic composition.

Wonder Woman, in the style of bold and graphic compositions, mosaic-like collages, pop culture mashup, multiple screens, light red and light bronze, Magali Villeneuve, macro zoom, outlandish energy, contemporary frescoes, chaotic academia, digital as manual.

A semi-realistic illustration of a woman releasing a pink superhero cape that is half-disintegrated into embers, with a 100% white background.

1980s minimal magazine ad of the world through words, people are everywhere, but wandering through an everchanging space, minimalist vintage, post modern, intense, powerful, album cover, designed by Storm Thorgerson and taken by Peter Blake, in the style of minimalist cartooning, colorful moebius | 1980s | shot on a Fujifilm Natura 1600 35 mm handheld camera. The image should be in 640i resolution, emulating that standard quality of that era.

Android 18, pleated skirt

A cute little cat like Bruce Lee, real photo