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Frontal upper body editorial fashion studio portrait of an anthropomorphic cute goose wearing a minimal styled black plush bathrobe resembling Versace, adorned with a cute white pirate skull pattern and a red bathrobe belt, set against a pastel purple background, shot by Wes Anderson and David LaChapelle.

In autumn, a traditional Chinese courtyard is drenched in heavy rain. Within the courtyard stands a large persimmon tree, laden with many persimmons.

Close-up of a marble sculpture of a cyborg woman

In a live-action adaptation, No-Face is compellingly depicted. His face is pale and hollow, evoking a sense of mystery and unease. He wears a loose black cloak that gently sways with his movements, as if always melding into the surrounding environment. His large ears, filled with a somber aura, are hard to ignore. No-Face moves slowly and purposefully, exuding an otherworldly presence. Under the lighting, his expressionless face appears even more ominous, occasionally revealing fleeting emotions—sadness or anger—that deeply resonate with the audience.

Teamwork connection

Helsing

Origami, with a discerning palate for the occult, the central figure becomes a reluctant investigator in a series of supernatural murders.

Interdimensional arcane beast by Tyrus Wong

A 3D rendering of a Siamese cat in a cartoon style, created using C4D software. The cat has short hair and key colors on its face and paws. It features soft hair all over its body and is designed to look like a plush toy. The background is a simple gray and white clean background. The artwork is a full body shot, done in a minimalist style, resembling a Q version illustration.