A terrifying two-tone AMOLED wallpaper depicting Lord Narasimha at the sacred threshold moment, rendered as a minimalist matte silhouette × expressionist noir composition using only pure black and deep vermillion red. Narasimha is positioned dead center, straddling the invisible boundary between interior and exterior, his massive leonine form crouched low in explosive readiness, knees bent, torso leaning forward, claws extended and gripping the edge of the threshold stone. His mane erupts outward in jagged, flame-like shapes, breaking into the surrounding darkness. The face is partially visible only through silhouette--open jaws suggested by negative space, fangs implied rather than detailed--while the eyes burn as two concentrated vermillion points, piercing and inescapable. Vermillion energy outlines his entire form with violent intensity, especially around the claws, shoulders, and mane, as if divine wrath is cracking through containment. The architectural threshold is barely suggested by two vertical black planes and a single horizontal vermillion line beneath his feet, symbolizing the cosmic rule he is about to violate. No background, no sky, no ground--only void and judgment. The composition is vertical, suffocating, and perfectly balanced, optimized for AMOLED displays where black disappears and vermillion sears the eye, capturing Narasimha at the exact instant before annihilation, when time itself is afraid to move. --ar 9:16 --quality 4 --raw --s 50

一幅可怕的双色AMOLED壁纸，描绘了在神圣门槛时刻的那罗狮身人身，采用极简的哑光轮廓 × 表现主义黑色作品，仅使用纯黑与深朱红色。那罗狮身人身处于正中央，横跨内外部之间的无形边界，雄伟的狮子形态低伏，准备爆发，双膝弯曲，躯干向前倾，爪子伸出，紧 gripping 住门槛石的边缘。他的鬃毛犹如燃烧的火焰向外爆发，打破周围的黑暗。面部仅通过轮廓部分可见——张开的下颚通过负空间暗示，尖牙被暗示而非详细描述——而眼睛如同两点炽热的朱红色，刺眼且无法逃避。朱红色的能量以暴烈的强度勾勒出他的全身，尤其是在爪子、肩膀和鬃毛周围，仿佛神圣的愤怒正在突破束缚。建筑门槛仅通过两面垂直黑色平面和他脚下的一条单一水平朱红线微微暗示，象征着他即将违反的宇宙法则。没有背景，没有天空，没有地面——只有虚空与审判。构图为竖向，令人窒息，完美平衡，为AMOLED显示屏优化，其中黑色消失，朱红色刺眼，捕捉那罗狮身人身在瞬间即将 annihilation 的时刻，时间本身都不敢流动。